DRUM TRACK ZONE - Midi Drum Patterns, Breakbeats, Drum Samples.Downloadable backing tracks in midi, MP3, and Audio CD formats |.– Recording Software & Hardware For Making Music On PC And Mac – Professional Music Production Software.
Audio Geek Zine » Blog Archive » REAPER Multiband Processing Template.Applied Microphone Technology - microphones for trumpet, trombone, saxophone, clarinet, guitar, violin, harmonica, percussion, cello and more.All About MIDI Synth Modules: Great resource.XSpanded factory bank now available for Motif XS - moaccess - FreeLists.Please choose one of the following 147 links. That said, I haven't gotten to point of individual track editing in Reaper yet, which is one of the main reasons I need a DAW (as opposed to a stand alone recorder such as the R24).Saxophonist Kevin Brown: MUSIC AND PROMOTION MUSIC AND PROMOTION It was very intuitive and seemed a lot easier to use than a lot of today's DAWs, but I'm sure it was also comparatively less powerful and it is nice to have more features than less I suppose! I used to use a product called "DECK II" back in the 90's, but my PowerMac 7100 started to crash (after a certain number of tracks and effects overloaded it). Plus, when I realized the LE's limitations (only 16 tracks, etc) I immediately started looking elsewhere and haplessly stumbled upon Reaper. I initially tried the Cubase LE that came free with the ZOOM R24, but I never actually got that thing up and running. Yeah, I'm sure it's just a matter of becoming familiar with the menus and functions. Plus it's all very good record keeping if anything else. Never had any issues for a few years now. Then grab them by USB or copy to a memory stick from that folder.
These days, or years, when using tracks, be they MP3 or wav from an outside source, they ALL GO to the IMPORT folder on the PC first.Īdditionally,when creating final MP3's or Wav's from Pro Tools, I run them to a specific folder on the PC first. Plus, DAW's love it when the files they are importing are resident on the PC. I am 100% convinced it is more of a WIN/ USB snag not even related to the DAW. Now and then I have run into an oddity where even in Pro Tools, I couldn't grab files directly from a USB device. Grab those files from that folder with the DAW for the import into the session. One thing which also appears to be common, when transferring files from the R24 or R16 to be used in the DAW session, first create a folder on the PC, call it something like "IMPORT", whatever.Ĭopy your R16 or R24 wav files into that folder.
I will continue to investigate this further and report the results if successful.
I suppose I could just use the MacBook's audio output, but it seems redundant to have another audio cable for monitor speakers and headphones, since my R24 is meant to be more stationary (with mic, instrument, headphone and speaker cables "semi-permanently" attached) while my MacBook is more portable (just one USB cable and I'm ready to go)! Of course this could solely be a ZOOM problem as well. I can hear the input signal, just not the output (from the Mac to the R24).įrom what I've read (and the fact that the Zoom's meters initially showed playback audio being sent back to the unit), this leads me to believe that I should be able to monitor both input and output signals via the R24. Reaper does show the "ZOOM R16_R24 DRIVER" as one of the "Audio Device" options (which is the one I chose for both Input and Output).
That link is where I got my driver from, so the correct driver should be installed.